I just ran across the website for “The Idea Channel”:http://www.ideachannel.com in the US which features wall to wall interviews with professors including several Nobel prize winners. As well as being able to download a few short interview excerpts you can access a transcript a month if you register on the site.

It’s a pity they have just two entries under Sociology but there are lots of economists, political scientists and historians to listen to as well. I don’t suppose my cable company will carry it though…

By a strange coincidence, “BBC4”:http://www.bbc.co.uk/bbcfour/ here in the UK is doing a “profile of Richard Rorty”:http://www.bbc.co.uk/bbcfour/listings/programme.shtml?day=today&filename=20031104/20031105_0140_4544_31367_30 tonight 1:40 – 2:10 AM. I’ll be programming my “recordable DVD player”:http://www.panasonic-europe.com/homecinema/main.asp?lang=en&nav=dvdrec …
Thanks to Follow Me Here for the Idea Channel link.
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I fear I have somewhat misrepresented Ian’s position on “‘bonsai’ (128Kbps) broadband” It’s not that he thinks it is going to disappoint everyone – speed, phone line blocking and always-on remain the main drivers to broadband adoption according to Jupiter. But he believes that, ‘once consumers switch to such a ‘bonsai broadband’ product they will then become disillusioned that they can’t do the activities that they will have been led to believe possible on broadband (even though these may not have been their main motivations they may be ‘nice to haves’ and which they expected to have).’

This is a very fair point. In an attempt to make broadband sexy, broadband providers promise things like “Movies and TV on demand”:http://www.bt.com/broadband/ which they just can’t deliver. But I would contend it isn’t just the ‘bonsai broadband’ companies that can’t offer this – you can’t get streaming TV or movies via most other broadband providers either – “HomeChoice”:http://www.homechoice.co.uk/ is the obvious UK exception. 512Kbps or even 1Mbps isn’t fast enough for adequate streaming video across the Internet (except for Flash animation or short films where the small size and occaisional jerkiness aren’t so much of a problem). Even if the speed were good enough, there just isn’t a wide range of on-demand high quality video available online yet (see my “Broadband Content category”:https://blog.org/archives/cat_broadband_content.html for more on this point).

So if people do want VOD, the broadband available to consumers today generally won’t give it to them, so those people would be disappointed with any broadband, not just ‘bonsai broadband’. I contend, however that a customer that has always-on Internet without blocking their phone line (two out of three of Ian’s key broadband drivers) will likely be happy and that someone like that would be almost as happy with ‘bonsai broadband’ as they would be with today’s commercial broadband.

The next step forward will happen when/if 2-4Mbps broadband to the home becomes cheap enough for the consumer and broadband providers strike VOD deals and a large BBC “Creative Archive” comes online.

An old colleague of mine, “Ian Fogg”:http://weblogs.jupiterresearch.com/analysts/fogg/ (a Jupiter analyst), commented in an “earlier posting”:https://blog.org/archives/000896.html that he didn’t think ‘cheap broadband’ at 150kbps would would ‘really offer the full broadband experience that customers expect’. The reasons he gave were interesting, and reveal I think a kind of ‘supplier led’ thinking that is holding back broadband takeup.

* ‘150kbs is not sufficient for good quality [streamed] mp3 music’
How many people want to listen to streamed music? How many subscribers have services like Real One managed to sign up? If you are at work in a sympathetic company you might use it instead of bringing a radio in to work, but if you are at home you already have a radio! People who really want broadband for music are (I’m guessing) relying on broadband to download tracks either legally or (more probably) illegally.

* ‘To build community around online games, it’s important to enable access to add-on levels, and enable players to host, or run, their own games’ – well, I could see there would be a problem if a broadband games player frequently found they were being asked to download a map from within a game and they then found the ‘game cycles to the next level and the player has missed playing’. But if you found that to be a problem as a player you could also just go off and download the necessary files from one of many fan sites. As for hosting, I have played many, many online games and I have only hosted one or two. As long as one of your friends has ‘proper’ broadband this is not a problem.

* ‘it’s still good value if you care about price and mainly email and web browsing’ [but]… it doesn’t exactly encourage third parties to deliver rich video/audio content and applications … and subscribers that expect broadband to enable a richer online experience will be disappointed.’

Aha! But we’re not talking here about what subscribers *should* want from their broadband in order to support a healthy industry – we’re talking about what they *actually want*. And all the evidence I have seen is that what subscribers value most from broadband is always on/instant on connection, better web browsing and no arguments about who is on the line. A smaller segment may value download of large files but if you no longer need to worry about the ‘clock ticking’ on your connection does it really matter if that game demo comes down in the background in four hours or two?

My personal view is that the only commercial service that would cause a substantial increase in the desire for ‘true broadband’ would be something like iTunes but for TV and movie content. (And yes I know you can already download movies but so far this is very much a minority sport because of bandwidth problems).

My guess about the best way to boost broadband takeup is to a) offer it at £15 a month with speed limits (but no publicised download caps) and b) offer free three month trials – I imagine enough of the people who get it would keep it that this would pay for the installation costs for the few who tried and rejected it.

Of course I may be wrong – I am basing this largely on my own experience, friends, gut instinct and (to a lesser extent) on the ‘iSociety’s broadband research’:http://www.theworkfoundation.com/pdf/broadband.pdf

If there is, however, evidence that the consumer wants what the broadband content industry wants them to want then please bring it on!

A new, more computerised television production system being tested at the BBC could help feed the organization’s promised “Creative Archive”:https://blog.org/archives/cat_online_media.html#000861 of publicly-downloadable BBC content. Among the new capabilities on offer:

New footage will be catalogued after it is shot, so different producers can access the same content simultaneously.

“In theory, all newly shot material will be digitised so it can be made available to all BBC programme makers. Think of the advantage: you don’t have to go to an editing suite with four hundred tapes,” Ms Romaine [the BBC’s director of production modernisation] explained.

Computer-based production can allow programmes to be enhanced with additional information (metadata) enabling archiving and content searches based on internet technology.

One might think this sort of thing would already be routine in a large, well-resourced organization like the BBC, but it’s hard to change complex production processes to keep up with the changes that technology makes possible. I hope this experiment proves successful, because it is not until new production techniques like this one become routine that the Creative Archive will really start to take off.

… but unfortunately when the “Software & Information Industry Association”:http://www.spa.org/ tried to educate kids with this video “Don’t Copy That Floppy”:http://static.hugi.is/video/fyndin/dctf-1.wmv they produced something truly embarrassing (which is presumably why the video is – ironically – now only available as a file on a server in Iceland).

(The SIIA’s rapping lecturer)

I wonder if it is possible to tell kids not to break the law or to avoid doing something stupid without coming across as ridiculous or painfully earnest?

_Thanks to “NTK”:http://www.ntk.net/2003/08/29/ for the link_

Also see “this New York Times article”:http://mbhs.bergtraum.k12.ny.us/cybereng/nyt/mbhs-nyt.htm – again, ironically, pirated from the NYT archives (though admittedly for educational use).videos shemale amature sexvideos women sex abusedteenagers more alcohol50 cent sex tapeporn pics amatueradult porn forumadult sextoy shoptechniques sex advertising appeal Map

There seems to be a gulf between what the BBC reported its head to have said and what a transcript of the speech revealed. There has been some excited discussion by Danny O’Brien and Alan Connor (and, inevitably, on Slashdot and kuro5hin) that seem based on what they would like this announcement to be rather than what it is.

Matt Jones (who works at the BBC) says the move is, “brave and disruptive – and will have to be executed as such, with no half-measures or compromises to vested interests.”

In fact, while BBC News’ summary suggests Dyke said the Creative Archive would contain “all the corporation’s programme archives”, the speech actually promised to allow “parts of our programmes, where we own the rights, to be available to anyone in the UK to download” (emphasis mine). Nothing there about all of the BBC’s archives. And the example he uses – kids downloading, “real moving pictures which would turn their project into an exciting multi-media presentation” make it sound like a collection of digital clip-art.
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The BBC’s director general has announced “plans to give the public full access to all the corporation’s programme archives… everyone would in future be able to download BBC radio and TV programmes from the internet.”

Well, the announcement certainly sounds huge, but as Danny O’Brien reflects, “Sorting out the contractual issues with anything but completely internally produced content will be difficult ” – a huge understatement! And who will pay the cost to digitise and index all that content? Who will decide when enough has been digitised? Will it be seen as a waste of license fee payments to “super-serve” the broadband-using public? Will the BBC actually encourage the use of file sharing applications in order to reduce its bandwidth charges? The list of questions goes on and on…

But even if a fraction of what is possible is achieved, this is a great step forward and it will open a number of important debates.movies blonde free sexfree throat deep moviemovies pussy eating freefacial movies gay freeporn gay movies men freefree samples movie gaymovies free gay postporn movies free granny Map

Bathtime in Clerkenwell is an entertaining short animated video for all ages wherein a man tries to stop a relentless assault of cuckoos from his cuckoo clock in time to an infectious jazz melody.

Thanks to the Guardian’s cybercinema roundup for the link.

Salon’s Farhad Manjoo recently produced an interesting piece on the battle between cable companies and big tech companies over equal access to content over broadband cable.

As I commented on Eszter Hargittai‘s blog entry this issue appears at first to be a straightforward one – cable industry bad, free access good. But there are sound business and technical reasons why some forms of discrimination between different forms of content may be useful. For example, for good video quality cable companies want to put stuff in servers directly connected to their networks. But they can’t afford to put all streaming video content there so they may want to cut deals with certain providers. Is that unfair to the other providers? Internet users would still be able to see their stuff – just not as well.

Cable companies might also want to charge users who want to stream stuff from their “non-preferred” suppliers but keep “preferred supplier” content free (or lower cost). But while discriminatory the practice would also be fair, since the cable cos would be incurring different costs depending on where the content they were streaming came from.

Perhaps all legislation should do is demand open bidding for content deals and that per-Gb charges should have some proven relationship to the cost of providing bandwidth.calculator loan table amortizationestate ag real loansloans amortization bankmortgage get amc loan outhome loans guardian americanok loan sacramento cash payday advance$88 car loansbaltimore loans 100 investoradversary proceeding student loansexpert loaned servant alabama issues doctrinealpena alcona unions creditcredit rating advantis union financialcredit abc warehouse appliance storeaenima creditscredit card blogspot com accept e2for accreditation center detention youthon abet accredited lineabc card credit appliance warehouse Map

I really enjoyed the original film and am just about to go see the sequel. Here’s:

• The official site (which includes several downloadable episodes of the Animatrix animated series that runs alongside the films
• Killer Movies’ overview with spoilers and
• a study guide that explores Plato’s cave using the (first) film.

LaterI just saw it and didn’t think much of it I have to say. It’s hard to get excited about fight scenes no matter how virtuosic if the hero is never in any real danger and you can only get a frisson of excitement from having your head messed like The Matrix did once – now that the pattern is established it has become dull.

Jesse Walker wrote a review on his weblog that hit the nail on the head, ending with this amusing riff:

My fantasy for how the trilogy should conclude: After learning that absolutely every level of reality is just another matrix, The One shrugs his shoulders and walks off the film set. A digital camera follows him across the street to a lecture hall, where a professor is denouncing metafiction and declaring postmodernism a literary dead end. Keanu’s cell phone rings: It’s his agent. We hear them chatting about how much they’re making from all that Matrix tie-in merchandising. Then the wall collapses and the cast of Blazing Saddles falls into the lecture room, throwing pies.